Album Review: Red of Tooth & Claw

A Critical Look at Murder by Death's Uninspiring Fourth Album

© James Blake

Red of Tooth and Claw cover, Murder by Death

The much-anticipated album, Red of Tooth and Claw, was released Tuesday, March 4th. This lackluster album has a generic feel which belies Murder by Death's actual talent.

The newest album by Indiana indie-rock band Murder by Death, Red of Tooth and Claw is yet another concept album, based this time around a sinner's tale of revenge. Unfortuantely, Red of Tooth and Claw fails to give the new, constantly developing sound that the band is most well-recognized for and ends up being a rather boring semi-sequel to their previous album (which was also conceptual) In Bocca al Lupo.

Murder by Death has gone through a considerable amount of evolution since their 2002 debut Like the Exorcist, but More Breakdancing. At first, the band had a generic gothic sound which tended to plague them. However, their newest two albums (In Bocca al Lupo and Red of Tooth and Claw) have adopted an attitude that can only be described as Cursive meets Johnny Cash with plenty of pure visceral rage to go around. Their albums have—for the most part—evolved dynamically and allowed the band to try new things while keeping the same vaguely haunting sound they were based on.

Unfortunately, the only real sign of evolution in Red of Tooth and Claw, their newest album which was released on March 4th, is the ever-deepening of lead singer/lead guitarist Adam Turla’s voice.

The Cons: The Same Thing Twice

Sarah Balliet’s cello is still haunting and beautiful, and the band goes through the motions, but this album just feels like a slightly darker version of In Bocca al Lupo. Turla described Red of Tooth and Claw as “Homer’s Odyssey of revenge, only without the honorable character at the center,” which is far from a new concept coming from Murder by Death. The band has displayed a prevalent fetish with cheats, liars and sinners in their other albums, which were also coincidentally all concept albums.

Unfortunately, the music does not make up for the poor concept. Static punk guitar riffs are prevalent in just about every track on their newest album; serving only as background noise to Turla’s disjointed attempts at storytelling. Instead of developing the interesting parts of the gothic-Western sound the band displayed in their previous albums (specifically Who Will Survive, and What Will be Left of Them? which was nearly perfect), it seems that Murder By Death has decided to go in the direction of the tried, true, and tiring cello-punk scene.

The Pros: A Light at the End of the Record

Red of Tooth and Claw does have some high points, but they are few and far between. ‘Fuego!’ the album’s first single, does not entirely live up to its name—not that this is a bad thing. Instead of being fast-paced and fiery, the song is a cello ballad which is highly reminiscent of Who Will Survive, and What Will be Left of Them? This is an exciting change of pace, but unfortunately the much-desired tempo change is muddied by Turla’s poor lyrics, specifically the insipid chorus of “I-I-I-I want you.” The next song, ‘Theme (for Ennio Morricone)’, is a slow and moving instrumental that is determined to fix the mistakes of ‘Fuego!’, and it is probably the most dynamic and entertaining song on the album.

Although the closing track, ‘Spring Break 1899’, reveals a disgusting conclusion, it is a welcome change of pace. This closer is a near-waltz that allows the album to close on a note that can only be described as breathtaking. If Murder by Death could have achieved such a thrill on the other ten tracks, this album would have probably been a contestant for best album of 2008 and the band’s most successful album. Unfortunately, a large portion of the other tracks sound exactly the same, and the only thing left to distinguish Murder by Death from the punk band playing in your neighbor’s garage is the now-hackneyed cello.

The Bottom Line:

5.5/10. Red of Tooth and Claw is a mostly-generic album that relies on an admittedly beautiful cello and worn out concepts to take it on roads Murder by Death has been down many times before.


The copyright of the article Album Review: Red of Tooth & Claw in Indie Rock Music is owned by James Blake. Permission to republish Album Review: Red of Tooth & Claw must be granted by the author in writing.


Red of Tooth and Claw cover, Murder by Death
       


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